Thursday, May 28, 2009

The Limits of Control

From Stranger Than Paradise to Broken Flowers, Jim Jarmusch’s films are cultural scrapbooks, jam-packed with references to his favorite music, movies, writers, and artists. His latest, The Limits of Control, is set in Spain and stars Isaach De Bankolé as a hit man in calm, cool pursuit of a target—though Jarmusch says he’s “not as interested in the plot” as he is in the paintings that the killer admires in a museum, or the music on the soundtrack. The movie, which also stars Bill Murray, Gael García Bernal, and Tilda Swinton, was a collaboration between the cinematographer Chris Doyle (famous for his work with Wong Kar Wai) and production designer Eugenio Caballero (Academy Award winner for Pan’s Labyrinth). Caballero’s book of inspirations (click on the slideshow above to see pages with commentary from Jarmusch)—scraps of color, images, drawings, postcards—was the visual log the three repeatedly referred back to. Jarmusch talks about the process. 

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